Lucy Hunter Johnston The Evening Standard.
Ann Hulbert The Atlantic.
Zoe Heller The New Yorker.
Review appeared in Kirkus Reviews.
Terri-Jane Dow oh comely magazine.
Houman Barekat The Spectator.
Colin Dickey (only for readers in US) The LA Times Book Review.
Judith Harris On the Sea Wall.
Eric Karl Anderson The Lonesome Reader.
Ysenda Maxtone Graham The Oldie.
Heller Mcalpin NPR Books.
Book Review in Nudge Book.
Brian Dillon 4 Columns Magazine.
Nicky Woolf New Statesman.
Laura Oosterbeek The Oosterbook.
Elizabeth Lowry The Guardian.
Andrew Schenker LA Review of Books.
Fiona Capp Sydney Morning Herald.
Reviewed in The Saturday Paper.
Tali Lavi Australian Book review.
Ines Boulaigue The Norther Review.
Dan Brotzel The Scotsman.
Heidi Simmons Coachella Valley Weekly.
(Scribe UK | Catapult USA)
Read Extracts Here
‘Siding with the Dark’ Times Literary Supplement.
‘Adventures in Insomnia’ in Lithub.
‘To Pursue Sleep so Hard you’re Invigorated by the Chase’ Longreads.
From the Summer Library series The Saturday Paper.
Talking about Insomnia Here
TLS Podcast Freedom, Books, Flowers & The Moon.
LSE Podcast Sleep Forum.
The Dark Pleasures of Insomnia Q&A with Nylon Magazine.
How I Learned to Stop Worrying and Love Insomnia New York Magazine.
In Conversation with Catapult Magazine.
Talking with Kate Leaver Refinery29.
5 Questions New York Times.
Talking with Ian McMillan and guests BBC Radio3’s The Verb.
Talking with Tina Daheley BBC Radio4’s Woman’s Hour.
Villainous and unforgiving, insomnia is the enemy of energy and focus, the thief of our repose. But can insomnia be an ally, too, a validator of the present moment, of edginess and creativity? Marina Benjamin takes on her personal experience of the condition—her struggles with it, her insomniac highs, and her dawning awareness that states of sleeplessness grant us valuable insights into the workings of our unconscious minds. Although insomnia is rarely entirely welcome, Benjamin treats it less as an affliction than as an encounter that she engages with and plumbs. She adds new dimensions to both our understanding of sleep (and going without it) and of night, and how we perceive darkness.
Along the way, Insomnia trips through illuminating material from literature, art, philosophy, psychology, pop culture, and more. Benjamin pays particular attention to the relationship between women and sleep—Penelope up all night, unraveling her day’s weaving for Odysseus; the Pre-Raphaelite artists’ depictions of deeply sleeping women; and the worries that keep contemporary females awake. Insomnia is an intense, lyrical, witty, and humane exploration of a state we too often consider only superficially. “This is the song of insomnia, and I shall sing it,” Marina Benjamin declares.
‘A sublime view of the treasures and torments to be found in wakefulness. Entertaining and existential, the brightest star in this erudite, nocturnal reverie in search of lost sleep, is the beauty of the writing itself.’
(Deborah Levy, author of Hot Milk)
‘Benjamin writes beautifully. This is a graceful rumination on the ‘wicked kind of trespass’ that is insomnia, a work cogent and allusive as a lucid dream, a palimpsest of insights to dip into, day or night.’
(Anna Funder, author of Stasiland)
‘Every insomniac knows how sleeplessness warps and deforms reality. Marina Benjamin anatomises its endless nights and red-eyed mornings, finding a sublime language for this strange state of lack. Her writing is often reminiscent of Anne Carson: beautiful, jagged and precise.’
(Olivia Laing, author of The Lonely City)
‘An exquisite meditation on time, the dark hours, and the complexities of longtime love, Insomnia is a poetic journey into the wide-awake, generous, exciting mind of Marina Benjamin. I couldn’t put it down, and my own inner world is richer for it.’
(Dani Shapiro, author of Hourglass)
‘Marina Benjamin is the Sheherazade of sleeplessness, spinning tale upon tale, insight upon insight, in frayed and astonishing and finally ecstatic loops.’
(Francis Spufford, author of Golden Pond)
`Insomnia reads with the surreal and suspended cadence of those lonely hours in the night that only the sleep-less experience. It is, therefore, a kind and intimate companion to our meandering, agitated, non-knowing, spiritually naked thoughts at such hours. Keep it by your bedside lamp!’
(Sarah Wilson, author of First, We Make the Beast Beautiful)